Owen hesitated, but at last he brought it out. "What I mean to say is, don't you know, that Mona, if you don't mind my saying so, has taken it into her head to be jealous." The tone of the question made the idea a possibility for which Fleda had nothing from this moment but terror. "I don't know, Mrs. Gereth; how can I say?" she asked. "I've not seen him for so long; as I told you just now, I don't even know where he is. That's by no fault of his," she hurried on: "he would have been with me every day if I had consented. But I made him understand, the last time, that I'll receive him again only when he's able to show me that his release has been complete and definite. Oh, he can't yet, don't you see, and that's why he hasn't been back. It's far better than his coming only that we should both be miserable. When he does come he'll be in a better position. He'll be tremendously moved by the splendid thing you've done. I know you wish me to feel that you've done it as much for me as for Owen, but your having done it for me is just what will delight him most! When he hears of it," said Fleda, in desperate optimism, "when he hears of it—" There indeed, regretting her advance, she quite broke down. She was wholly powerless to say what Owen would do when he heard of it. "I don't know what he won't make of you and how he won't hug you!" she had to content herself with lamely declaring. She had drawn Mrs. Gereth to a sofa with a vague instinct of pacifying her and still, after all, gaining time; but it was a position in which her great duped benefactress, portentously patient again during this demonstration, looked far from inviting a "hug." Fleda found herself tricking out the situation with artificial flowers, trying to talk even herself into the fancy that Owen, whose name she now made simple and sweet, might come in upon them at any moment. She felt an immense need to be understood and justified; she averted her face in dread from all that she might have to be forgiven. She pressed on her companion's arm as if to keep her quiet till she should really know, and then, after a minute, she poured out the clear essence of what in happier days had been her "secret." "You mustn't think I don't adore him when I've told him so to his face. I love him so that I'd die for him—I love him so that it's horrible. Don't look at me therefore as if I had not been kind, as if I had not been as tender as if he were dying and my tenderness were what would save him. Look at me as if you believe me, as if you feel what I've been through. Darling Mrs. Gereth, I could kiss the ground he walks on. I haven't a rag of pride; I used to have, but it's gone. I used to have a secret, but every one knows it now, and any one who looks at me can say, I think, what's the matter with me. It's not so very fine, my secret, and the less one really says about it the better; but I want you to have it from me because I was stiff before. I want you to see for yourself that I've been brought as low as a girl can very well be. It serves me right," Fleda laughed, "if I was ever proud and horrid to you! I don't know what you wanted me, in those days at Ricks, to do, but I don't think you can have wanted much more than what I've done. The other day at Maggie's I did things that made me, afterwards, think of you! I don't know what girls may do; but if he doesn't know that there isn't an inch of me that isn't his—!" Fleda sighed as if she couldn't express it; she piled it up, as she would have said; holding Mrs. Gereth with dilated eyes, she seemed to sound her for the effect of these words. "It's idiotic," she wearily smiled; "it's so strange that I'm almost angry for it, and the strangest part of all is that it isn't even happiness. It's anguish—it was from the first; from the first there was a bitterness and a kind of dread. But I owe you every word of the truth. You don't do him justice, either: he's a dear, I assure you he's a dear. I'd trust him to the last breath; I don't think you really know him. He's ever so much cleverer than he makes a show of; he's remarkable in his own shy way. You told me at Ricks that you wanted me to let myself go, and I've 'gone' quite far enough to discover as much as that, as well as all sorts of other delightful things about him. You'll tell me I make myself out worse than I am," said the girl, feeling more and more in her companion's attitude a quality that treated her speech as a desperate rigmarole and even perhaps as a piece of cold immodesty. She wanted to make herself out "bad"—it was a part of her justification; but it suddenly occurred to her that such a picture of her extravagance imputed a want of gallantry to the young man. "I don't care for anything you think," she declared, "because Owen, don't you know, sees me as I am. He's so kind that it makes up for everything!"!

"Ah, then he did put his case to you!" Mrs. Gereth exclaimed, with an accent of triumph. "You seemed to speak just now as if really nothing of any consequence had passed between you." "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.

Fleda faltered a moment. "I think she has gone too far." Then she added: "I shall immediately tell her that I've said that to you." "You do mean literally everything, to the last little miniature on the last little screen?" "I do, then." Mrs. Gereth looked hard at the floor. "There was no obligation at the time you saw him last—when you sent him, hating her as he did, back to her."